OH NO OHNOMITE FREE DOWNLOAD

He masterfully interweaves snippets of film and filthy standup routines in with judiciously crafted head-nod-isms. Much like his older brother, producer Madlib , Oh No prefers esoteric rhythms and mixes otherworldly samples with glossy synths. Recent reviews Idle Hands Mana 8. With Rudy Ray samples in rap music being nearly as old as rap music itself—a matrimony treading dangerously close to having run its course—it is astonishing how well Oh No has hewn the pluperfect Dolemite hip-hop assemblage. All told, the album impressively displays its nostalgia:

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Oh No – Ohnomite (2XLP)

Rainy Day Relaxation Road Trip. Pull up your hoodie and enjoy your pop-rap and Pack in the darkest of corners seems the attitude, and while Ohnomite is as far from pop-rap as every release that comes from the house of Stones Throw, the underground label's sub-imprint Five Day Weekend might as well be the subtitle to this nasty ball of fun.

Ohnomite is bursting with mood-altering headphone music.

Just a bit of perspective: This is a worthwhile celebration of -- and hang-out session in -- the underbelly of nostalgia, with choice names like Guilty SimpsonFrank NittPhife Dawgand Erick Sermon providing the new angles and weird insights.

An equally durable asset lies with Oh No's skills as a producer.

Please enable JavaScript in your browser to use the site fully. The Escape [Interlude] M. If his other project, Gangrenewas the psychedelic side of the era, this one is propelled by a crate crawler's love of that easy yet meaty soundtrack funk, best displayed by its two key cuts. Leave your reply Cancel reply. Interested in our staff or writing for us?

Oh No – Ohnomite | Review | Scene Point Blank | Music webzine | Reviews, features & news

Or maybe you want to contact us in general? Dolemite was unabashed in his vulgarity. One of the most surprising guest spots though, comes from the recently reemerging veteran Eric Sermon. Fast-forward to the present and L.

Much like his older brother, producer MadlibOh No prefers esoteric rhythms and mixes otherworldly samples with glossy synths. While Moore is the binding agent here, Oh No does a fine job of layering the beats, thereby putting his own twist on a familiar shtick.

The result is a kaleidoscopic journey through musical yesteryear.

When Moore became Dolemite, he became even more crude, abrasive and captivating. All told, the album impressively displays its nostalgia: He masterfully interweaves snippets of film and filthy standup routines in with judiciously crafted head-nod-isms.

With Rudy Ray samples in rap music being nearly as old as rap music itself—a matrimony treading dangerously close to having run its course—it is astonishing how well Oh No has hewn the pluperfect Dolemite hip-hop assemblage. That cosmic mixture usually blends into something overtly funky and equally woozy: Stream or buy on: Ohnomite is seamless, yet it has standouts: Moore - Post Author.

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